![]() Another reason was because he did not want viewers to think of the painting as unfinished. ![]() Monet decided to name the painting “Impression, Sunrise” instead of after the city, as the features were gestural and it was not an obvious painting of a location. Masts and cranes are visible on the horizon. The view is to the southeast from the harbor, looking at the quays and locks being constructed in this large port city. Monet was raised there as a boy and continued to visit the area in his adult life to garner inspiration for his art. He was staying at Le Havre where the Seine River empties out into the Atlantic Ocean. Monet painted this view from his hotel room at Hôtel de l’Amirauté in November of 1872. A detail of the red sun and boaters in the foreground. The overall palette is very light with shades of orange, purple, green, and blue. The choppy water is indicated by the loose brushstrokes of different colors, some of which reflect the rising sun. The rowboats imply space with the one closest to the viewer as the darkest and most defined and the one furthest away a pale blue, just barely discernable from the reflections of the ship masts and stacks. ![]() Three small rowboats are in a line in the water. It is early morning, and the rising sun is depicted in a bright bold color of a blend of red, pink, and orange. In this piece, Monet depicts the water off the port city of Le Havre in northern France. ![]()
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